人生走过大半,才知道,遇到爱的人是人世间的幸运儿。面对销烟与战火,才知道生命中能拼上性命争取一回的东西真不多。
战争中的爱情总是这么耀眼,面对随时会来的死亡,每一分一秒都是金子。所以奋勇,所以抛下了所有只为成全自己内心的一点渴望。
看着这样的爱情故事而感动, 是因为我们在眼下看似安逸的生活中,活得妥协而卑怯,自私而软弱。
……
高中语文老师曾经就我当年的一篇批判向的电影影评作文,对全班作了一个思想指导,就是说意识一定不能非主流,否则肯定得不到高分。
可是人生不是作文,热爱和平、热爱生活的人们往往没有什么典型的主流意识,他们只想享受平静、美景、健康和爱人的脸庞。没有什么所谓的正确和错误。
那一群意大利士兵这样想的,最后死于盟友军的手里。
女主佩拉吉娅 这样想的,但是在战争开始的前期,她写了百来封情书去等待和呼唤她的初恋情人,直到自己的心凉透。
佩拉吉娅 的初恋情人这样想的,他饱含着要保护爱人和家园的信念,坚守阵地,隐忍无限的思念,直到为了成全所爱,卑微地渴望用搭救情敌的方式挽回其已经失去的爱情。
上尉安东尼奥·柯莱利 这样想的,于是目睹了所有的战友死在眼前,染满了帮其挡子弹让他得以幸存的战友的鲜血,直到不得不和自己的爱人分离,不知何日能再相见。
还有那个被自己的人以背叛的罪名吊死的女孩子,她爱错了人,对生活的一切美好寄予了太大的信任。
……
这世界没有什么正确和错误之分,也没有什么美好与丑恶的绝对界线,但确实有许多生存与毁灭的抉择时刻。
佩拉吉娅的男友是守护者的角色,他展示了爱的最大的宽容,成全了爱人,哪怕她背叛和辜负他们的诺言。
佩拉吉娅展示了爱的勇气、坚守、牺牲与忍耐,在开始爱上上尉时,她作过仍维护初恋婚约的努力,只是战争和爱情来袭,她没有更多的选择余地。在流言蜚语、俗世成见面前,她勇敢地跟随了自己的内心选择了爱情(这点普罗大众都是千难万难做到的)。最后为了爱人的生命,忍痛决别。
在战后无尽未知岁月里,她终于冷静地决定不妥协于生活,不在孤独和磨难中将就于悠悠岁月(这点普罗大众的又一痛点)。独自生活、行医、面对地震这样的灾难。冷静而从容。
其实我觉得在这两个角色面前,上尉的角色个性是比较弱的,如果结局不把书里的老来再相聚的情节改成电影现在这样,七年后的回归的话,上尉这个角色就是一个完完全全的败笔了。
在战后还想着自己曾经爱过的人,并回来为自己的爱人续写她的爱情梦想,才是真男人该干的事。否则,就是一个在战争中醉生梦死还要发泄一下身体的会点音乐勾搭女性的渣男了。
……
这是一部典型的女性为主角的电影。 佩内洛普·克鲁兹 演的很细腻,女性的不服从命运的倔强,爱情中的两难、挣扎、忌妒、满足,分别的痛苦,孤独岁月中的冷静、寂寞、坚强,再见面时的喜极而泣,层次丰富。
她的演绎的光芒,盖过了凯奇的演技和 克里斯蒂安的帅气。
……
最后表白凯奇的努力:带意大利腔的英语口语应该不好练;意大利歌剧的唱腔,颤音与高声部的技巧,感受到了,挺好听的;电影中段那曲如泣如诉的曼陀铃,听得我觉得自己又回到了十五六岁初尝爱情的时光。
并谢谢,电影完美的结局。
(我以为豆瓣吞了我的第一帖,所以换个角度又写一篇。特此留念。。)
不打算写长评,只是看电影后不加思考的几句唠叨,简单记录。
好电影像老酒,时间只会赋予他更深的魅力,回味无穷。几年前就看过的片子今天又重温一遍,还是那么令人着迷。Coreli上尉的歌声,女主角美丽、质朴的双眼,兼具传统与野性的个性,加上世外桃源般美丽的意大利郊外小镇美景,一切的一切,让我这个忙碌于大城市里的上班族宛若新生,好像许久无人问津的心房拂去了灰尘,重新露出它娇嫩的模样,原来它还活着,还能感受这世上的美,I’m so grateful of this. 战争打破平静,曾经的恋人变的陌生,突如而来的敌人却那么温绅;曾经的盟友变成屠杀者,而后屠杀者也被屠杀,最终一切又归于平静。 生活看似回归普通,但曾经的经历却刻在我们生命里,不可改变。有时人们会逃避,彷徨,胆怯,可若心中具有真爱,本性生而善良,无论经过了多少的黑暗时刻,美丽之花终会绽放。 影片结尾没有像现在的一些电影故弄玄虚,留下开放式结尾,女主收到唱片,然后corelli上尉半透明的浮在屏幕之上遥望远方深情歌唱之类的,而是实打实的交代出来,coreli上尉回来了,他来找自己的爱人了!这真是让人无比激动和欣慰,而影片感人至深的一幕对我个人而言就发生在此处,共患难的两人多年以后重逢,在一个普通的不能再普通的午后(如果是现在的影片,我猜可能哭嚎着抱上去,边小拳拳锤你胸口边喊着这几年你死哪去啦,我为你牵肠挂肚,夜不能寐你知不知道啊云云),两人就那么面对面了,经过无数个思念的夜晚,微风轻抚树叶,微波轻泛霞光,那个上千个夜晚思念的人就这么毫无征兆,悄无声息的出现了,女主第一句话你觉得会说什么?把几年内心的委屈哭出来?多年的思念喊出来?无法想象的快乐表达出来?没有,她说了一句:我在找。。。,好像对一个从不曾离开的邻居,甚至自己养的牛羊,也会说出这样的话;而后进入第二层次,她摸了摸上尉的脸:“恢复的真好,”这句出来我快哭死了,这一句话真的比上千句我想你爱你思念你为了你我可以去死之类的感人至深太多了,这一句话说明什么?说明Coreli不在的几千天里,她心里的Coreli从未离开,他们见最后一面时的样子,她从未忘记,记忆那么鲜活,好似一直在眼前,记得无比真切;而后两人相拥而笑。影片最后在老爷子的声音中结束。 这不就是爱情的样子吗?如果你爱他,就在她唠叨你之前把柴火抱进家门;如果你爱她,就在她冷的时候为它披上披肩;如果你爱她,你就....
某站把电影翻译成了《战地情人》,我还是更喜欢它本来的名字《上尉的曼陀铃》。潘潘素淡了眉眼仍然美的不可方物,凯奇还在当红的上升期,甚至男二竟然是贝尔,现在回看真是顶级阵容。贝尔和凯奇的人物塑造都很丰满立体,唯一遗憾的是潘潘的心路历程太突然了,应该再刻画细腻一点的,肯定评分会比现在高。不过潘在有限的戏份空间内已经竭尽全力用那双会说话的眼睛去表达和诠释了,在演技方面潘是满分的,人设薄弱是导演的问题。全片真灵魂主角是女主爹,简直是行走的金句机,太通透太智慧。 其实本片的剧情非常简单,加分项是音乐和摄影。凯奇一出场莫名想笑,想想他演的是意大利人又觉得很合理。前半部分电影的氛围都是轻松的、愉快的,凯奇的演绎甚至给这部反映二战的片子增添一分喜剧效果,直到后半部分德军的到来终于撕下侵略者最后的假面,露出战争狰狞的本来面目。前半部分的所有欢乐与和谐化作惨烈的现实,导演一种荒诞的形式表达了反战的最终命题。不过最终还是回归爱情片的本质,或者说导演想表达的是一种人性的思考,而战争只是反映人性的一个载体。浪漫狂野的意呆和古典端庄的希腊,很完美的结合。就像曼陀铃的歌声和希腊小岛的景色一样完美。 私以为全片的核心金句是女主爹的几处台词,比如关于爱的思考,关于地震带来的影响。也许这不是一部爱情片,但这确实是一部讨论爱的片子。
补充:本片中的一些经典台词
(1)
Dr. Iannis: I wanted her to understand how a land so peaceful could be shattered by earthquakes and war. I wanted her to understand why sometimes the gods bless us and why they sometimes become angry and shake us, and fill our lives with pain. I want her to learn the lesson that nature teaches us, that we should not ask why we are wounded only if the wound can be healed.
(2)
Dr. Iannis: What on earth are you doing?
Corelli: I was just about to start.
Dr. Iannis: Well, about time, too, I should think.
Corelli: The first 45 1/2 bars are for the orchestra. “Allegro moderato e grazioso.” You have to imagine the orchestra.
Dr. Iannis: I’m damned if I can sit through all that tapping again. Just play your part.
Corelli: If I do that, I’ll start getting confused about when I’m supposed to come in, and that in a concert hall, would be a disaster.
Dr. Iannis: I apologize for disrupting the concert; I apologize to each and every one of you, to those in the cheapest seats in the gods, to Your Majesties in your royal boxes draped in your jewelry and your fine furs. But I’m damned if I can imagine an orchestra.
(3)
Corelli: I’ve never aimed a gun at anybody, never in my life. It must be very difficult for you to have to put up with us.
Pelagia: It must be very difficult for you to have to live with yourself. You lie in the sun and swim in the sea and flirt with your prostitutes. And there are people I know, people I grew with who are fighting for their lives and dying for what they believe in. And all you do is singing. What’s there to sing about? We are in the middle of a war, not an opera house. And you, you think you are so cultured with your pasta and your panettone and your puffed-up opera. Why don’t you take your holiday on somebody else’s island?
Corelli: What is there to sing about? There is singing when babies are baptized, when you celebrate a marriage. Men sing as they work, soldiers sing as they march into battle. And there is singing when people die. I always found something in life worth singing about and for that I couldn’t apologize. For the fact that I’ve caused you pain I cannot apologize enough.
(4)
Pelagia: You must be one of the most stupid people I’ve ever met. You wanted to show off so you nearly get us all killed.
Corelli: I can see your lips moving but I can’t hear a word you’re saying.
Pelagia: It should pass in a day or two.
Corelli: Your father says it will pass in a day or two.
Pelagia: Does he? Is that what the great doctor says?
Corelli: What are you saying? Are you saying how beautiful life is since Italians arrived?
Pelagia: All my life I’ve been waiting. I don’t know how I survived before you came.
Corelli: Are you saying how much you missed having me around?
Pelagia: I miss you so much I can’t sleep at night.
Corelli: The other night when you were dancing, the way you were moving, the turn of your head……I thought I could watch you forever
Pelagia: You think you can come here and turn my whole world upside-down?
(5)
Dr. Iannis: This is a very ancient land and we had nothing but earthquakes and slaughter for 2,000 years. We’ve had massacres at Sami and Fiskardo and God knows where else. There will be more. It’s only a question of time. So don’t make any plans.
(6)
Dr. Iannis: Do you love him?
Pelagia: We are engaged to be married.
Dr. Iannis: I am not talking about Mandras.
——When you fall in love it is a temporary madness. It erupts like an earthquake and then it subsides. And when it subsides, you have to make a decision. You have to work out whether your roots have become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness. It is not excitement. It’s not the desire to make every second of the day. It is not lying awake at night imagining that he is kissing every part of your body.
——NO, don’t blush. I’m telling you some truths.
That is just being in love which is any of us can convince ourselves we are. Love itself is what is left over when being in love has burned away. Doesn’t sound very exciting, does it? But it is. Do you think that you could begin to imagine that is how you will come to feel with Captain Corelli?
(7)
Corelli: I don’t belong here, Pelagia! I never belonged here! Ever since I came, look what has happened all around you.
Pelagia : I love you.
Corelli: I had no right to make you love me when you weren’t mine to love
(8)
Pelagia: Why did you save him? Why didn’t you leave him to die?
Mandras: I wanted you to love me again.
——In Albania, I made them read every one of these to me. “Mandras, I love you. Mandras, I want you. Mandras, when are you coming back?” And then one day a different letter, “I don’t know how to describe my feelings. It’s as if I’ve been waiting a hundred years to hear from you, waiting a hundred years for you to return. Once I thought my heart was overflowing with love for you, but now all I feel is emptiness. And I think all the time it was a pretense that I never loved you at all.”
(9)
Dr. Iannis: If there is a wound, we must try to heal it. If there is someone whose pain we can cure, we must search till we find them. If the gods have chosen that we should survive, it will be for a reason.
他轻轻的弹奏起曼陀林,和她的眼神交汇,那一短暂的瞬间,他们深信对方的爱。
我不愿看到他和她KISS
1,什么都不可怕都不可悲,最可怕最可悲的是同盟军的背叛!!!。2,德国,意大利,希腊。3,爱从你的眼睛里流入,也会从你的眼里流出。
又一部让人伤心的战争电影,让人热爱和平
在爱情故事中,这是最完满的。开头上山受苦遭难期待奇迹,结尾下山生活琐碎执子之手。也因为太完满太HE似乎损失了回味与想像的魅力。但是两位主角太致命。凯奇叔噘着厚嘴辱睁着毛茸茸的蓝眼睛,谁不想让战争赶紧滚蛋,让他和佩内洛普一起跳舞。它不需要余韵,它只要结结实实地满足平凡而美好的愿景,就是最美的。毕竟他们是南欧人,法国人和德国人就一定得BE。
“上帝让你活着,一定是有原因的。”电影普及了一段我不知道的凯法利尼亚岛二战历史(德军枪杀手无寸铁的意大利士兵惨无人道啊),讲了一个曲折圆满爱情故事。加之尼古拉斯凯奇、佩妮洛普克鲁兹俊男美女,四星妥妥值了!
人美,景美,音乐美。本是一群不该在战火中的人,残酷的战争往往衬托的是永恒的爱...
桑塔哈吉斯,你爱你的妻子吗?如果爱她,就请对她好一点。她还没说的时候,就把劈柴拿出去;她冷的时候,就给她披一条围巾;每次从地里回来的时候,给她带一朵鲜花。
欧阳推荐的,对这部电影有一种异样的感觉,总会在午夜想起他说:“柯莱利上尉的曼陀林”。Bale演了一个挺欠打的人物。
NicolasCage的那双眼睛哟,任他不帅也动人。
编剧真的很一般 也浪费了这组cast 只不过 漂亮宝贝 两点钟方向 向她致敬 这句不错
很早看的了。。。今天cctv6放了一遍。。。发现还是很有记忆
某站把电影翻译成了《战地情人》,我还是更喜欢它本来的名字《上尉的曼陀铃》。潘潘素淡了眉眼仍然美的不可方物,凯奇还在当红的上升期,甚至男二竟然是贝尔,现在回看真是顶级阵容。贝尔和凯奇的人物塑造都很丰满立体,唯一遗憾的是潘潘的心路历程太突然了,应该再刻画细腻一点的,肯定评分会比现在高。不过潘在有限的戏份空间内已经竭尽全力用那双会说话的眼睛去表达和诠释了,在演技方面潘是满分的,人设薄弱是导演的问题。全片真灵魂主角是女主爹,简直是行走的金句机,太通透太智慧。
永远保持对生活的信心,哪怕经历了多大的灾难,地震,战争或者心灵的创伤----有伤口一定要治愈。 贝尔的冷峻的太迷人了,凯奇饰演的意大利上尉很有意思,曼陀铃很好听,还是喜欢不上克鲁兹。
多想去看看希腊岛屿的风景,很美;只要有伤痛,就要努力的去治愈;另外,可爱的意大利军队,肿么老是这么倒霉啊,真乃军事史上的一朵奇葩啊!
最喜欢的男女演员表演的精彩的故事
故事看的很别扭,不是故事别扭,是心里别扭,Cage故意想把腔调意大利化,一开始还真的觉得挺像,但是越听越别扭……有点儿愣。很喜欢最后地震的情节,也属于小收煞,是我见过最好的小收煞。另看了第二遍才想起来里面有Christian Bale。。。
三星半。原来当年是希老请求意大利支援,去侵占希腊的,战败了希老那伙人不爽,还要灭意大利人,米天理~~没料到凯奇的曼陀铃居然还有两下子。没料到佩内洛普的未婚未这么有义气,虽然这义气说到底还是为了自己,但还是让人挺感动的。
够经典,但是结尾太老套了,给人的回味没有了。应止于那张唱片的音乐响起,叠出画面的是她面向意大利方向、大海和那封医生父亲写出的信的画外音。把结尾和想象留给观众。
2008/10/25深夜CCTV-6。意大利占领军真是温文尔雅。