布莱尔女巫

影片开头youtube上的视频就是电影的结尾，能够解释的通的只能是女巫可以控制时空了，中间四行人和两个带路的分开之后再次见面也只能这么解释，四行人只过了一夜，而另外两个人则说他们迷路五六天了。
也就是说，两个人上传到youtube上的视频是他们在经历了一切之后，在所有人都死掉的时空里捡到的胶卷，他们回到原来时空把自己死亡之后的视频传到网上，视频中的死者看到视频（并不知道是自己）之后才有了冒险的打算。完全悖论了。。。。
中间还有很多情节不知所云。。姑且都解释为女巫在搞鬼吧。
总之恐怖效果不错，但总有一种还没有高潮的感觉，不爽。。

另外真羡慕国外的恐怖电影，结束不用加字幕。

我希望能少一些再少一些伪纪录片,这类片子成本低,镜头晃来晃去,在折磨观众,把观众弄晕.
看电影本来是种享受,是很愉悦的事情,但看伪纪录片,是种实实在在的摧残和折磨.
本片更是烂.
电影主要讲布莱尔女巫在黑山林被人们折磨死,女巫报复引诱人来森林并杀死他们.男子和好友被女巫用录像带引诱来黑山林寻找失踪的姐姐,女巫一个个杀死他们.
低劣的执导,粗糙的画面,情节一般,这种片拍出来干嘛?

As an oddly recent fan of the original Blair Witch Project (having watched it about ten years late, in my horror film class just last month), I walked into Blair Witch with much excitement, and high optimism founded on the rave reviews from horror film review sites such as Bloody Disgusting: "Blair Witch won’t affect seasoned horror fans (as much), but rest assured that it will destroy everyone else. This film will hurt people. It’s the emotional experience that transcends traditional narrative storytelling and ascends to a place of Nirvana.” Perhaps it is partly to do with this elevated expectation, but Blair Witch really did not live up to the hype.

While Adam Wingard kept things moving with something literally jumping every ten minutes (and emphasized by a soundtrack that was a mix between the MGM lion logo on repeat and someone dropping a bowling ball on the floor above also on repeat) or so, and there were moments of hilarious genre self-reflexivity, Blair Witch ultimately went nowhere new, and certainly does not stay with the audience. The story is much the same as the original, except this time it is Heather’s brother, James, who is heading into the woods. He believes he has found evidence that his sister is still alive, in the woods, and takes three friends (Lisa, Ashley, and Peter) with him to try to find her. The two locals who were suppose to be their guides also ends up tagging along for the trip.

In this case, more is not better — retelling the “lost in the woods” story with double the cast, and much, much better film equipment (they even bring a drone with them) meant a much fuller screen experience (more angles) and a much faster pace (more things happening crammed into the same hour and a half allotment) means that the rhythm of the film becomes rushed and utterly lacking in the restraint that was the best part about the original. And the addition of the new camera angles and highly exaggerated soundtrack only exacerbates this flaw further. Instead of a slow build-up, the film rams into high gear almost as soon as they enter the woods, and the jump scares continue right to the end, with almost no variation.

There are a few gems in the film, such as the meta humour in the scene where after yet another person pops on to the screen accompanied by an inexplicably loud sound effect, Lisa exasperatedly exclaims: “Everyone stop doing that!” There are also some fairly inventive horror moments, such as the events surrounding Ashley’s foot wound, which simultaneously invokes proper body horror and camp, and the claustrophobic shots of Lisa trying to escape the house via a very tight underground tunnel.

But these moments do not make up for the incessant and very cheap jump scares that comprise the bulk of the film. The story is almost an exact retelling of the original, but with none of the elegance.