手术室的故事第四季

结局爽翻！

1、“some men need to be led” 🙄

2、德克萨斯独立建国了！还有仨反抗区！

3、“you failed your PRECIOUS girls”

“基列才不在乎孩子，基列只在乎权力” 那这样一说，基列基于圣经的阶级建构就流于表面了

繁殖营

4、“ your body was made to keep that baby, not to get rid of it” 闭嘴吧，女人能生就能弃

瞧不起性奴 还要艹性奴 这男的真贱；更可悲的是Janine，菟丝花一样的女人，随大流，轻易被引领、被说服、被打压、被利用。。很好奇她的结局。

5、fix u

6、“i know him, I know what he can take”

luke繁殖癌到了会给她造成心理阴影的程度

7、“Do you understand me! ？”

8、” why aren’t they more angry?”

“ i want you to forgive me” 真轻巧

“That’s my girl! Emily!!”

Be furious! Ladies! You should be!!

9、美国也日落咯 “they still think they can boss around the Canadians”

the system you help constructed has backfired，how u feel now, ms. and mr. Waterford?

亚裔小哥和June好配

10、有一点一直很迷惑 好像没有June对于宗教看法的戏份？ 在一个宗教立国的国家受了迫害，但仍然不摒弃这个宗教 ？她可以针对强奸犯，针对帮助强奸犯的女人，针对掌权的主教， 但从不反对基列建国的核心依据和方针——圣经，这合理么？ 即使她是个普遍意义上的贤妻良母，和妈妈这个女权主义者不一样，思想上比较保守，但是在基列呆了那么久，出来之后难道不会对涉及宗教的话语、行为感到痛苦么？

第十集终于提到宗教还是在说新旧约的区别 ，好像一切就是这么简单一样。

当涉及到军事和政治机密的时候 谁在乎一个女人被强奸了啊😔 一切都需要赤裸裸的进行交易

“I am a man, I have rights” 好笑🤭

不知道编剧组是怎么写的，把第四集写的很像

从不，很少，有时，总是

June第三集那个行为没什么大问题，作为妈妈看见女儿被囚禁在玻璃房里，作为母亲，卖队友也……emm…如果你孩子被威胁了你会怎么样…

至于牛奶里吵架那番话，可以代入一下June…在卖队友以后已经出现了信任问题…

Rita：作为“虔诚”的天主教徒，和Martha，对Serena并没有那么对立，见Serena那面很犹豫的态度很证明，最后的寿司+阳光算好结果

有关Janine的去医院看护士/医生部分，台词基本上都和《从不，很少，有时，总是》高度一致，那个Black Woman和电影里面的诊所老太太一模一样…现实社会中至少美国非大城市就是这样…就不提阿拉巴马的法律了

医生的台词和电影也很一样，#很好奇为什么没有做人流而是药流，可能那样太残忍了#

有关最后…June肯定不会做的，母亲就是女权分子，不《我唾弃你的坟墓》就很不错了，当然这不是B级片；

极端社会下，普通人的基本权利被剥夺后，客体化稀松平常，历史书中的案例不要太多，不仅对女性，男性也一样…Gilead的核废料殖民地里，男性/女性干活就是等死…

Janine的悲剧人生从Gilead前就决定了…底层家庭+未婚生子后的生活决定了她的性格，最后的对话也没有很可以，人善被人欺……#在使女时的就一直在被Lydia和大主教欺负#……

另外，June并没有想去吃土匪的东西，只是换了衣服跑…并没有非要Janine去…只是…

这集要的是观众感同身受的效果，Gilead成立就是当年温水煮青蛙煮出来的，从女性不能堕胎，女性不能工作，不能有独立账户开始…

按照证言主线，

June在Janine死以后跑出来后（板上钉钉），最后两集控告的震撼力会更大…

编剧大路线不会错，Atwood老奶奶还在当剧集编剧，还有续集书在，不会烂尾的

Hulu's dystopian drama delivers on some long-delayed promises, but ultimately it's too little, too late.

When last I saw June Osbourne on The Handmaid's Tale, she was being carried off the battlefield, gaze turned heavenward, whisper-praying Exodus 3:7 in voiceover — a red-draped savior prepared for martyrdom. Not-at-all-a-spoiler alert: June did not die. Elisabeth Moss is on the poster, after all. Also, killing June would qualify as "something actually happening," and that's not how this show rolls — at least, not for the last two seasons. Since 2018, June's story hasn't advanced much at all: She is forever fleeing Gilead, forever witnessing and enduring physical and psychological torture, forever staring into the middle distance — jaw set and eyes ablaze with rage and agony — determined to keep on keepin' on.

Having successfully delivered a plane full of Gilead's children to Canada, June and her fellow renegade handmaids are hiding from the Eyes, hoping to hook up with the underground resistance movement known as Mayday. People around June keep suffering, getting hurt, dying — and her peers are starting to get real tired of it. "Fuck June Osbourne," grouses one Martha, when Commander Nick Blaine, June's forbidden love, asks for help finding her. "Everyone that helps her ends up on the fucking wall." Or shot, or pushed off a building, or flattened by an oncoming vehicle.

Even some of June's ride-or-die sisters are losing their patience. "You're so bossy and judgmental!" snaps Janine. "You need to stop trying to save me to make yourself feel better." Up in Canada, Moira and Emily struggle to find homes for the freed Gilead children, who are understandably traumatized by their sudden relocation. "That's what she does," gripes Moira of June. "Takes the big swing and f--- the consequences!" Even our heroine, after one particularly grueling series of torture sessions, has a hard time keeping her heart in the fight. "I'm ready… for it all to be over," she whispers. "I'm ready. Please, just kill me." No such luck, ma'am. We're in it for the long haul.

It's validating, seeing characters speak the frustrations that many viewers feel about June's stagnant journey. The quality of Handmaid's Tale isn't suffering because the political climate in America has changed; a woman's lack of autonomy over her own body is, unfortunately, an evergreen subject. It's suffering because Miller and company have become so enraptured by the show's grandly executed atmosphere of prestige misery — used to stunning, Emmy-winning effect in season 1 — that they've started mistaking garden-variety brutality for brutal truths. Revolutions take time, but they also evolve. The Handmaid's Tale is stuck in the crisis stage.

This season does offer a few rare notes of freshness. There's a glimpse into Janine's pre-Gilead life as a single mom. Amanda Brugel gets more screen time as Rita, the escaped Martha adjusting to a life of freedom in Canada. McKenna Grace pops up for a memorable turn as a tyrannical child bride. Aunt Lydia gets her steps in on a treadmill.

New things, things I've waited for, start to happen in episode 6. A few of these moments are genuinely cathartic and moving, but others feel underplayed and dulled by such a long delay. Meanwhile, an implausible development with Serena Joyand Fred Waterford— awaiting trial in Canada for their crimes against humanity — seems to be setting up another familiar showdown. As for Aunt Lydia, her bewildering new alliance with Commander Lawrence feels forced, a writers' device to keep their brand-name actors busy.

If you're still watching The Handmaid's Tale — heck, if you're still reading this review — you've probably resigned yourself to seeing June's saga through to the end. Can the show deliver on a true second act, justifying the decision to keep the story going so far past Margaret Atwood's novel? I'll likely have to wait until season 5 to find out. Grade: C+

It's a blessed day, "Handmaid's" fans! Or perhaps a blessed night? After a 21-month break, your show is finally back, but it's still kind of hard to tell the difference between night and day. Does the sun in fact ever shine in Gilead, or is there permanent overcast — a pall that hangs over lives, fates,motives,storylines and plots?

Post-apocalyptic worlds aren't supposed to be bright, sunlit places, least of all "Handmaid's," yet this season does seem to be the darkest one yet, June's ordeal too. One indignity and horror follows the next. She is debased, ground into the dust, then she rises and falls again, only to repeat the cycle all over. But neither bullets nor Aunt Lydia can stop her, and as we all know so well, that which doesn't kill her will make her stronger. June gets stronger.

In fact, "Handmaid's" continues to insist in the credits that this is "based" on the Margaret Atwood novel (which was effectively wrapped up by the end of the first season), but the series is now mostly just based on a familiar arc. The titanic showdown is coming, when June will face her foes just as surely as Batman had to face Ra's al Ghul or Bane. The destiny of superheroes is always tied to that of supervillains. June's destiny still awaits her, awaits them, and there will be blood.

In the meantime, there's not a whole lot of pleasure to be had in the waiting. June's ordeal has now started to feel like my ordeal. I need to have it resolved as much as she does. but like her, don't have any choice in the matter because I'm invested too. I've gone down the hole this far. Surely there is light at the end of this tunnel? Maybe I'll get stronger too if the show doesn't kill me first.

前面两集还是精彩的，就是后面有点拖拉的了，唉，June一直在说要救Hanna，可是她又没有做什么事情来那个，总感觉逻辑有点不通，在Morie救她的时候还在那种怪罪她，唉，就是觉得跟June逃跑的那几个handmaid最后死了，真的太伤心了，她们是如此渴望离开那个地狱，并且相信着June…

这一季又被Janie感动哭了😭最后也没能挣脱牢笼。

（PS:她们到达芝加哥的时候，Steve让她们留下来的条件竟然是……社会已经悲哀到这种程度了吗？我的天，真的心疼Janie，她并不像表面的Lydia的goodgirl，她什么都懂得😭最后跟June的时候，她说使女总是两个人的不是吗，真的哭死😭希望最终季她真的可以离开基列国，Janie值得freedom，她值得😭😭😭）

还有为什么第四季了还要说和Nick的感情线，在E2结尾我大震惊，Nick和June已经不是可以再继续下去的关系了吧！政治立场这么对立，而且在基列国的世界里，Nick始终是受益者，June自始至终都是受害者，这样的情感真的平等值得吗，I don't understand.拍的就像真的患难夫妻难舍难分世俗被迫一样。

我觉得Nick作为这个男权主导的国家中，他跟Lawrence一样，他们都是热爱power的，就算有觉醒，有同情女性。如果有人威胁到或者…他们是不会放弃自己作为男性的那份利益的，男性是永远无法和女性感同身受的，男性从出生开始就是这个社会的既得利益者，怎么可能能理解女性的悲哀。而且Nick还是基列国的战士，说明他也是认同这种社会体制的，唉……

Aunt Lydia也是个power爱好者吧，她对June和Janie也心软过，但也只是心软而已……她同为女性，确认为这种方式是在帮助女性，而且她做的事与那些男人的态度看来，她自始至终都是一个工具而已，统治者用她来规训女性做他们眼中的goodgirl，唉……最后Emily之前的Aunt来找她，我只能说不愧是Emily，她说" I'm glad she's dead."❤️真的爽翻，对于曾经那么伤害自己的人，就像June对Serena说的毁灭了我的整个人生，怎么可能轻易原谅，这些handmaid所遭受的苦难是要花一辈子甚至都不够去弥补的……

看到后面其实都想弃了，剧情拍到这个程度，其实值得推敲的剧情已经不够感染人了，逻辑思维也觉得已经缺一段多一段了……但是有些人物真的还是在闪闪发光，真的四季看下来最喜欢的就是Emily了，她真的很聪明，而且勇敢，包括反抗也是很让人热血沸腾的，她的反抗永远都是当着那些所谓Gentlemen和Aunt们正面反抗的，不管是偷车撞死士兵还是用刀刺向Lydia，喜欢勇敢的女孩❤️

从第一季的九万+评论，到第四季的九千

观众不是想一直要爽，也没有想要虐，过瘾

观众只是想要像第一季一样没有商业价值 ，没有政治左右，不在乎外界目光拍出来的剧

而现在 她火了，阻碍太多了，站在闪光灯下，编剧不再是一个人的脑洞，认知

从第三季开始就有人说受够了女主一个人的慢镜头，迟缓，对啊，明明生死攸关，明明那么多现实的阴影在，可剧里越来越像女主一个人的舞台

充满了太多政治正确了。观众不敢大胆，编剧也不敢了，打分没有不诚实，现在得分完全依靠了前两季的光辉

问一个问题，女人不是做男权的奴隶就是做母性的奴隶么？

敢不敢撕破这个母性的光辉斗篷 敢不敢先做自己再做母亲

母性没有那么伟大 不是没有孩子活不了

女人也会自私 也会有自我 ok？ do u understand ????

June

三季半看下来，感觉对Gilead的恨已经把June整个人吞噬了，她心中有一杆秤——救Hannah>反抗Gilead>姐妹情

姐妹诚可贵，抗争价更高，若为Hannah故，两者皆可抛。

June与Luke的感情

两人之间的感情应该是亲情和愧疚的混合体。爱情则会比较复杂，Gilead的畸形社会改变了June，而Luke则一直在正常的社会等候。使女肉身可以逃出Gilead，但内心遭受的创伤是不可恢复的。相比于与普通人交往，她们会更容易融入Gilead受害者的小圈子。从Emily与女友的关系就可以看出。所以除非最终季编剧刻意生硬发糖，否则June与Luke的感情大概率不会是个happy ending。

Nick与June的感情

Nick为June做的所有事，都是在不危及自身的前提下力所能及的。两人的感情有一点“两个孤独的人抱团取暖”的感觉，也有点“互相利用”的意味。这种感情在Gilead的畸形社会下产生，也只能在Gilead发展。在这个畸形的社会下，两人三观的不同被掩盖了；一旦进入正常的社会，他们之间的分歧也会慢慢浮现出来。

Serena和Fred

Serena的心中只有两样东西：Nichole的探望权，此刻怀的孩子的抚养权。她会为了追求这两项权利而不择手段地牺牲其他一切，无论是与June结盟还是与Fred结盟。

Fred虽然认清了Serena，但为了自保仍然不得不讨好Serena。

Joseph

第三季Joseph同意配合June送走孩子，是为了送老婆去医疗条件更好的加拿大生活。Eleanor去世后，他万念俱灰，完全是在June的威逼下，才继续行动的。

Joseph的三观自始至终都与June不同，且没有了牵挂，预计行事会更加大胆，他不会追求改变Gilead，而是会追求生存和权力。

Lydia嬷嬷

Lydia嬷嬷是一个符号化的虔诚邪教信徒，甚至可能比大主教们还要纯粹。预计本季她的所有行为，也仍然都是践行着基列主义核心价值观的。